Sunday 19 December 2010

Ultimate travel list

Imagine traveling the cultural world and moving from one culture to the next. That is Baraka. That is blessing. That is a goal.

The following is taken directly from wikipedia:

Baraka (1992) is a non-narrative film directed by Ron Fricke.
The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio of which Fricke was cinematographer. Baraka's subject matter has some similarities—including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity. The film also features a number of long tracking shots through various settings, including one through former German concentration camps at Auschwitz and Tuol Sleng (in Cambodia) turned into museums honoring their victims: over photos of the people involved, past skulls stacked in a room, to a spread of bones. In addition to making comparisons between natural and technological phenomena, such as in Koyaanisqatsi, Baraka searches for a universal cultural perspective: for instance, following a shot of an elaborate tattoo on a bathing Japanese yakuza mobster with one of Native Australian tribal paint.
The movie was filmed at 152 locations in 24 countries: Argentina, Australia, Brazil, Cambodia, China, Ecuador, Egypt, France, Hong Kong, India, Indonesia, Iran, Israel, Italy, Japan, Kenya, Kuwait, Nepal, Poland, Saudi Arabia, Tanzania, Thailand, Turkey, and the United States. It contains no dialogue. Instead of a story or plot, the film uses themes to present new perspectives and evoke emotion purely through cinema. The film was the first in over twenty years to be photographed in the 70mm Todd-AO format.
The title Baraka is a word that means blessing in a multitude of languages. The score by Michael Stearns and featuring music by Dead Can Dance, L. Subramaniam, Ciro Hurtado, Inkuyo, Brother and David Hykes, is noticeably different from the minimalist one provided by Philip Glass for Koyaanisqatsi. The film was produced by Mark Magidson, who also produced and directed the film Toward the Within, a live concert performance by Dead Can Dance. A sequel to Baraka, Samsara, is planned to be released in 2011.

The original Baraka 65 mm negative being scanned at 8K resolution
Following previous DVD releases, in 2007 the original 65 mm negative was re-scanned at 8K (a horizontal resolution of 8192 pixels) with equipment designed specifically for Baraka at FotoKem Laboratories. The automated 8K film scanner, operating continuously, took more than three weeks to finish scanning more than 150,000 frames (taking approximately 12–13 seconds to scan each frame), producing over 30 terabytes of image data in total. After a 16-month digital intermediate process, including a 96 kHz/24 bit audio remaster by Stearns for the DTS-HD Master Audio soundtrack, the superior result was finally re-released on DVD and Blu-ray Disc in October, 2008. Project supervisor Andrew Oran says this remastered Baraka is "arguably the highest quality DVD that's ever been made".[1] Chicago Sun-Times critic Roger Ebert describes the Blu-ray release as "the finest video disc I have ever viewed or ever imagined."[2]

Locations

[edit] Africa

[edit] Egypt

[edit] Kenya

[edit] Tanzania

[edit] Americas

[edit] USA

[edit] Arizona
[edit] California
[edit] Colorado
[edit] Hawaii
[edit] New York
[edit] Others

[edit] South America

[edit] Argentina
[edit] Brazil
[edit] Ecuador

[edit] Asia

[edit] Cambodia

[edit] China

[edit] India

[edit] Indonesia

[edit] Iran

[edit] Japan

[edit] Kuwait

[edit] Nepal

[edit] Israel

[edit] Thailand

[edit] Turkey

[edit] Saudi Arabia

[edit] Oceania

[edit] Australia

[edit] Europe